Showing posts with label Arts. Show all posts
Showing posts with label Arts. Show all posts

Friday, December 06, 2019

Greatest American prison songs a fine antidote to sappy seasonal fare

In Grits' household, the missus launches Christmas music rather aggressively beginning the day after Thanksgiving every year. This year, just one week in, Grits already longed for a break in genre.

Luckily, back in August on the Reasonably Suspicious podcast, Texas Monthly's Mike Hall and I came up with the perfect antidote, ranking the top 5 American prison songs of all time while discussing numerous candidates for that esteemed canon.

Go here for a YouTube playlist of all the songs we discussed before paring down the list. I discovered today it makes for an excellent antidote to the sappy songs of the season. Perhaps you'll enjoy it, too.

Though Mike and I might quibble over which deserves top billing (I'd say "Midnight Special," he prefers "Ain't no more cane ..."), our top agreed-upon five were:
  • Ain't No More Cane on the Brazos
  • Midnight Special
  • Folsom Prison Blues
  • Black Steel in the Hour of Chaos
  • Jailhouse Rock
I pulled out that segment ranking the greatest American prison songs as a stand-alone, you can listen to it here:


Find a transcript of Mike's and my conversation below the jump:

Thursday, August 15, 2019

Podcast: Ranking the greatest American prison songs, a crowd-sourced exoneration out of Tyler, and other stories

Check out the August episode of the Reasonably Suspicious podcast. We've got a special treat this month, with Texas Monthly's Michael Hall stopping by to tell us about the latest innocence case he's been covering out of Tyler, and a special segment in which he and I rank the greatest American prison songs


Here's what's on tap this month:

Top Story: 
Hemp SNAFU led to de facto natural decrim experiment for marijuana in many counties.

Interview: 
Texas Monthly's Michael Hall tells the story of an actual innocence case out of Tyler that was broken open by a Michigan podcaster.

Conversation: 
Scott and Michael Hall rank the greatest American prison songs. Go here for a YouTube playlist of all the songs we discussed, plus some from Scott's list that didn't make it into the podcast.

The Last Hurrah:
* DPS intel chief who warned of Mexican rapists arrested for sexual assault
* Texas House members create criminal-justice reform caucus
* Harris County bail lawsuit settled

Find a transcript of the podcast below the jump.

Monday, October 29, 2018

On the relationship between mass incarceration and museum proliferation: Houston museum exhibit tackles the justice system

Your correspondent was in Houston over the weekend and stopped in at an exhibit at the Contemporary Arts Museum dubbed "Walls Turned Sideways: Artists confront the Justice System."

Grits thinks about these topics near continuously, so perhaps more representative of the typical viewer was an expat friend visiting from Germany with whom my wife and I took in the exhibit. It impacted her viscerally, leaving her somewhat emotionally shaken and disturbed by the experience. (Of course, corrections policy takes a very different form in Germany.)

Grits got a kick out of a graphic which charted the rise of mass incarceration alongside a "world art index," changes in wealth disparity, and the number of museums. Although the notion that museums and prisons increased at the same time brings to mind the phrase "correlation is not causation," it's a humorously thought provoking take. In the artist's mind, and it's an interesting idea, the rise of prisons is correlated with the rise in income disparity between the super-wealthy and the rest of us. Museums increasingly are warehouses of surplus wealth, the thinking goes, while prisons warehouse excess labor:


I also enjoyed some faux "wanted" posters. Photos showed how the artist, advocates, or somebody had gone around New York City getting businesses to put them in their windows. Really funny, if you're into dark humor. (In the #cjreform movement, dark humor comes with the territory.)

My expat friend was particularly affected by a large photo of the last effects of an executed death-row inmate, David Lee Powell, all boxed up with a detailed index of the boxes' contents printed out 15-feet high on the wall. Another piece strung together photos of an incarcerated man and his family taken during visitation days over many years as his children grew up while he was inside. His wife and kids change a lot over time, while his face and orange jump suit remain constant throughout. Hard hitting stuff.

Another artist, frustrated with glowing media descriptions of police officers who'd been cleared of dubious deaths in police custody, commissioned awards trophies for Indianapolis police officers who killed someone on the job, ironically commemorating their role with participation awards. Simple, but the effect was quite jolting.

One minor quibble. One of the most prominent exhibits, placed immediately past the ticket counter, was a video re-enactment of a panel on "Prisons and Psychiatry" on which Michel Foucalt participated in 1975 with Howie the Harp (Howie Geld), who founded the Insane Liberation Front after experiencing institutionalization for mental illness as a teenager. The discussion's commentary regarding mental illness touted quite a bit of since-disproven nonsense at which, today, anyone in the medical community would scoff. Schizophrenia is not simply a function of psychiatry defining "normal" and creating a cadre of outcasts. We had a guy on death row in Texas pull out his own eyeballs and eat them, and he didn't do it because of some psychiatrist's definition. Schizophrenia is a medical condition that's now much better understood than in the '70s. Harp's critiques of institutionalization were valid; but his 22-year-old's mid-70s understanding of mental illness and the best ways to deal with it were, to be generous, preliminary and inchoate. Uttered today, I'd call them "dangerously ignorant." I'd hate for viewers of the exhibit who aren't better versed in the nuances of mental-health care to come away thinking those were valid points, and one might. They were compellingly persuasive, if one didn't know any better, which is why the art was so prominently displayed.

There was a lot there, more than I could ably describe in a brief blog post. If you're in H-Town, or visiting before the exhibit closes in January, go check it out.

Thursday, June 09, 2016

Risk assessments, visitation, and imaginary prisons

While I'm preoccupied with other matters, including another small video project to be unveiled soon (the last one has been viewed about 100K times now and received nearly 1,000 Facebook shares), here are a number of items which merit Grits readers' attention:

On the risks of risk assessments
Grits' views on risk assessments are still up in the air, or more specifically, situational. I tend to dislike the idea at sentencing (a lot of "future dangerousness" testimony in capital cases has been pure junk) but mind them less for parole boards, whose members by definition make risk assessments with or without a formal instrument. I also mind the idea less for pretrial assessments, when the alternative is to leave folks sitting in jail. But the critique is that risk assessments are inaccurate and discriminatory, and this blogger did a good job compiling links to stories that call them into question, for those interested. This is an important emerging debate among both advocates and criminal justice professionals; I hope it can be had with a tad less vitriol than has characterized the discussion so far. Folks can disagree in good faith here.

In favor of in-person visitation
Check out a cool interview with our pal Jorge Renaud in a publication called The Establishment on the grassroots pushback against elimination of in-person visitation at prisons and jails.

Offender Orientation manual
A new version of the TDCJ Offender Orientation manual came out in April.

Williamson County DAs keep embarrassing local voters
Between John Bradley and now Jana Duty, who was recently disciplined by the state bar, Williamson County voters sure know how to pick reputable DAs! Local leaders this week held a press conference giving her until "sunset" on Friday to resign, though I'm not sure there is legal leverage to bounce her out. Every Texan above a certain age knows of "sundown towns," of which there used to be a few here, but this is the first time I've heard of such an ultimatum aimed at a sitting elected prosecutor.

Imaginary Prisons
An old college buddy, local architect-turned-furniture-maker Mark Maček, turned me on to Giovanni Battista Piranesi (1720–1778), which led me in turn to this 16-print series of sketches titled "Imaginary Prisons." Awesome.


If you've got a spare $400K or so you could probably buy a copy. I'd like to read the orientation manual for THAT place.

Wednesday, January 20, 2016

Linklater on Bernie

On the TribTalk site, filmmaker Richard Linklater authored an earnest and revealing account of how he came to make the movie "Bernie," his relationship with its central subject, Bernie Tiede ("a nice guy who did a bad thing"), and his involvement in the murderer's legal case. Go read it. A summary won't do it justice, it's quite well written, and many of his observations apply beyond beyond the bounds of this particular episode.

Sunday, November 16, 2014

Dallas considers opening levees to invited graffiti

Dallas has been tepidly experimenting with the idea of "free walls" for graffiti artists (see prior Grits coverage) to divert them from private property, reported the Dallas News (Nov. 15), but the real game changer could come from a different government source. The story concluded:
The Police Department’s experience with graffiti is one that Trinity Watershed Management has been watching closely as it seeks ways to mitigate vandalism on the bridges over the river, said Dhruv Pandya, the watershed’s assistant director.

Street artists were allowed to paint the underside of the Commerce Street bridge during the city’s last Trinity River Wind Festival. For Pandya, that has meant a slight change in attitude as he looks at ways to allow street painting legally — and to keep it only where it’s allowed.

“We have 30 miles of levees and we have concrete structures,” he said, “and there’s nothing but gray.”
Bingo! Grits has been advocating just such an approach: allowing graff artists to decorate blank portions of the urban landscape, both publicly owned sites like drainage culverts, highway supports, and even the backs of street signs and, where permission can be obtained, on private property in the vein of the Cardiff Empty Walls festival. (I'd also like to see arts re-emphasized in schools, but that's another subject.) By comparison, the cost-benefit analysis underlying an enforcement-only, arrest-and-incarcerate model makes no sense at all. Remove the emotionalism and tribal disdain and there are ways to manage this millennia-old problem that address concerns of property owners, but it won't be resolved by cops, courts or ever-more criminal penalty enhancements that never worked before and won't work now.

Wednesday, August 20, 2014

Jail poetry project profiled

For those of y'all who chipped in to help fund Kelsey Erin Shipman's Kickstarter campaign to publish a book of poetry by Travis County jail inmates, you may be interested in this feature profile of her and her project from the Texas Observer.

Monday, June 09, 2014

Jail poetry kickstarter funded

I received an email from Kelsey Erin Shipman - the creative writing instructor who teaches a poetry class in the Trafis County Jail - to say "thank you" to donors and report that the limited edition prison-poetry books by her students "will be printed and mailed in early July." She added, "I would like to offer a special thank you to contributors from Grits For Breakfast -- you all swept in and saved the day!" Her reference was to this Grits post promoting her kickstarter campaign in its dwindling hours. Readers of this blog responded, bumping the project well past her goal of $500 to finally close out at $821.

So, consider yourselves thanked, people. And thanks from me as well for helping her out. Well done.

Friday, May 23, 2014

Publishing jail poetry

I don't think I've ever plugged a Kickstarter campaign on Grits, but a friend of the blog suggested this one by a young creative writing instructor named Kelsey Erin Shipman who volunteers to teach poetry classes at the Travis County jail: She needs $500 to publish a limited edition of inmate poetry from her class and looks to be a third of the way there. A worthwhile cause. Looking at her page, though, then listening to her video, I think she buried her lede. The pitch could have been truncated to these three themes:
  • "If any part of you believes that inmates deserve to be rehabilitated and that it's healthy for society to rehabilitate its criminals, you should know it's not happening on the institutional level."
  • "I listen to their stories, I try to teach them how to turn their suffering, their pain, their confusion into works of art. And that's beautiful."
  • "Teaching in jail has reminded me over and over again who art is for: It's for the survivors."
If you're the kind of person who supports such things, support it. It's a small project but would bolster a fledgling program in innumerable ways.

The folks on the ground doing educational programs or jail ministry are few and far between, with the handful of writing instructors among them particularly close to my heart. Those of us not doing that work ought to help 'em when we can. Throw her a bone, Grits readers.

UPDATE (6/24): Looks like y'all pushed this project over the top! According to the kickstarter page, her project has topped $550 in pledges, up from $170 yesterday morning. Though I've no doubt they could still use a few extra bucks if anyone were so inclined, that means her publishing project should now be fully funded. Thank you, folks, and good luck to Ms. Shipman.

FINAL UPDATE (6/26): It looks like the final tally was $821 pledged, nearly five times the total when I published this post. Thanks, Grits readers, for supporting this young lady's work.

Wednesday, May 07, 2014

Odds and ends: Successes, failures, and general weirdness

Here are a few items that caught my attention this week but haven't made it into individual posts:

Constitutional challenge to 'improper photography' statute
Reported KDFW TV in Dallas, "An appeals court in San Antonio ruled the improper photography statute unconstitutional because it is overly broad and that violates our First Amendment rights.  The case is now before the Texas Court of Criminal Appeals waiting for a final ruling." See prior Grits coverage.

Crappy, unaccountable judges a 'fact of life' in Texas
Reported the Houston Chronicle:
Court reformers say bad judges are a fact of life in Texas, one of only eight states that uses partisan elections to pick its arbiters of justice. They say it is a system that results in unqualified candidates getting swept into office with political cycles and in qualified judges getting booted out for no good reason ­- or not wanting to run in the first place. 
Lawyers also are critical of how rarely Texas judges are publicly disciplined or removed from office once they get there, while some legal scholars note how loosely courts are administered here.
There are some good ones, too, but it's hard to argue with that assessment.

Man with most to lose: Change nothing
A Travis County lawyer who averages 615 appointed indigent criminal cases per year - the most of any attorney and well above the American Bar Association's recommended caseloads - says he sees no need to overhaul the indigent defense system, naturally.

'Bernie' released into custody of movie director
Bernie Tiede, the East Texas murderer who was the subject of an eponymous, dark comedic feature film by Austin-based director Richard Linklater, has been released on bond on the condition that he live at Linklater's house. Surreal, huh?

Gambling, what gambling?
A pair of Johnson County Sheriff's deputies were providing security for a racetrack busted by DPS for illegal gambling. Initial news reports say they didn't know what was going on, but then that calls into question their law enforcement acumen, doesn't it?

No more proxy marriages in prison
A new law inadvertently ended the practice of "proxy" marriages by prisoners, some of which involve women they met as pen pals while serving time. I've known ex-prisoners who've enjoyed long, loving marriages with women married by proxy, while other situations don't work out as well, to put it mildly. It's a strange aspect of prison subculture that receives little attention, so I'm not surprised lawmakers never considered it when the Lege passed a statute last spring requiring both parties to be present during a marriage ceremony. "'We didn't realize we were going to open up a can of worms,' said Scott Riling, chief of staff for Rep. Trent Ashby, the Lufkin Republican who authored the bill to prohibit proxy marriages."

Focus on veterans
The Defense and Veterans Affairs and County Affairs committees next week will hold a hearing in San Antonio related to veterans courts and peer-to-peer veterans mental health counseling for justice-involved veterans with mental health issues, PTSD, and traumatic brain injury.

Bexar County jail population edging up, but down from last fall's peak
So says this TV news report.

Hearne cop shot 93-year old woman
Reported the Waco Tribune Herald, "Authorities are investigating the shooting of a 93-year-old woman by a Hearne police officer who was involved in the fatal shooting of a Hearne man in December 2012."

The CIA's Lone Star weapons cache
The CIA has allegedly used a secret weapons depot in Boerne, TX to ship weapons around the world in secret wars dating back to the Bay of Pigs.

Forensic Fails
Business Insider published a good overview of problems facing America's forensic experts and crime labs that illuminate many of the issues facing Texas on the topic.

Wednesday, February 19, 2014

Illegal prison art: Paños

Really cool story by Michael Hoinski at Texas Monthly on "paños, the handkerchiefs that prisoners decorate with black ballpoint pens or colored pencils—or, in a pinch, with coffee beans, ash, and even egg yolk (it makes a nice yellow color)." They've been outlawed in Texas prisons, but prisoners keep making them and art collectors are snatching them up.

Tuesday, February 11, 2014

Film: On the long-term effects of solitary confinement

If you're in Austin, you may want to check out a documentary film on Wednesday at UT's LBJ School about the long-term effects of solitary confinement. Here's a description of the event:
On October 1, 2013, Herman Wallace's 1974 murder conviction was overturned, and he was released from prison after four decades in solitary confinement. Just three days later, Herman Wallace died of cancer, a free man.
Join the LBJ School's Center for Health and Social Policy for a public screening of HERMAN'S HOUSE, the award-winning PBS documentary that shines a spotlight on the injustice of solitary confinement and helped free Herman Wallace. 
After the film, LBJ School Professor Michele Deitch, a national expert on criminal justice policy, juvenile justice policy, and the school-to-prison pipeline, will moderate a discussion on policy implications and questions raised by the film.
The event is free and open to the public, but seating is limited and registration at http://HermansHouseLBJ.eventbrite.com is required for communication purposes. Light snacks will be provided.

Thursday, April 11, 2013

Electronic privacy roundup

Here are several national electronic privacy stories that relate to presently pending Texas legislation.

Friday, May 18, 2012

Why O. Henry? Would pushing Jack Johnson pardon have more 'symbolic heft'?

The first bit of publicity for the Pardon O. Henry! campaign at pardonohenry.org is starting to roll in. Jordan Smith at the Austin Chronicle has a short item, and MSNBC's Kari Huus has a longer piece, comparing this campaign to efforts to pardon another great Texan, Jack Johnson, whose posthumous clemency application was rejected by President Obama in 2009:
In that effort, spearheaded by Sen. John McCain, R-Ariz., and Rep. Peter King, R-N.Y., the subject was black heavyweight boxer Jack Johnson, who was imprisoned nearly a century ago for violation of the Mann Act, which made it illegal to transport women across state lines for "immoral purposes." The case was seen as punishment for Johnson's unapologetic relationships with white women, and a warning to other black men.
Ms. Huus (who btw has done good reporting on clemency issues), thinks that Jack Johnson's cause would be "arguably one with more symbolic heft." Grits, though, must respectfully disagree.

For starters, President Obama has already turned down Johnson's pardon, and as much as I supported that effort, which was notably led by GOP Congressional leaders, Grits doesn't expect the President to flip flop. But there's another reason I think championing O. Henry's pardon carries just as much if not more "symbolic heft" when it comes to critiquing the president's parsimonious pardon policies, and I articulated that view this morning over at the Pardon O. Henry! blog:
Why O. Henry?

The short answer is that this campaign didn't choose William Porter, President Barack Obama did (or more likely one of his speech writers). When the President quoted the great writer in the midst of the ceremonial pardoning of a turkey last Thanksgiving, it brought the absurdity of 21st-century clemency into crystal-clear perspective: The bird may be pardoned but the man may not be forgiven, even if he was innocent, indeed even as his prose is purloined.

Just as the pardoned bird was symbolic, so is centering a campaign for expanded use of presidential pardon power around a writer honored by the President, but from a clemency perspective only in the breach.
That's why, to me, a campaign for Porter's posthumous pardon has plenty of "symbolic heft," though I suppose it depends on precisely what one is trying to symbolize. Sign the petition. Tell Barack Obama to "Pardon O. Henry!" and reinvigorate presidential clemency powers.

Thursday, May 17, 2012

Grits launches petition to clear Texan writer: Pardonohenry.org

After Barack Obama last November quoted the renowned short story writer O. Henry while pardoning a turkey, even though the writer's own posthumous pardon requests had been denied, Grits just couldn't help myself: Readers may recall I authored a polemic titled, "Eat the turkey, pardon O. Henry!," and shortly thereafter, unbeknownst to all but a few, I purchased the URL domains for pardonohenry.org, com, and net.

Today Grits is pleased to announce the launch of the pardonohenry.org website, the main function of which is to host an online petition asking President Barack Obama to grant a posthumous pardon to the great short story writer. Prof. P.S. Ruckman, who blogs at Pardon Power, is collaborating, taking the lead to prepare the application.

O. Henry, born William S. Porter, may or may not have committed the crime of embezzlement for which he was convicted in Austin in 1897. He claimed innocence throughout, but he also jumped bail and fled to Honduras, returning to face trial and imprisonment in order to care for his dying wife. In the end, his guilt or innocence probably doesn't matter. He produced among the best short stories in American literature, some while incarcerated. Here's the full text of the petition:
To President Obama and the Office of the Pardon Attorney, Department of Justice:

In this 150th year after William S. Porter's birth, I ask that you posthumously pardon him and in so doing honor this great American writer better known by his pen name: O. Henry.

O. Henry's works are among America's great contributions to English language literature, and he is widely credited with reinventing the short story. His writings were probably required reading at some point in your education. The nation's most prestigious short-story award is the PEN/O. Henry Prize. This year the US Postal Service will issue a stamp featuring his image. It's past time for the writer's recognition by the President as well in the form of a posthumous pardon.

Though you quoted O. Henry last year while pardoning a turkey, pardons are not mere jokes or symbols, nor should they be reserved for a turkey or two before Thanksgiving. They are a critical constitutional function that returns fairness and grace to a criminal justice system sorely short of those elements.
O. Henry always claimed innocence, but pardons are not just for the innocent. Alexander Hamilton in Federalist Paper 74 (1788) wrote that, "The criminal code of every country partakes so much of necessary severity, that without an easy access to exceptions in favor of unfortunate guilt, justice would wear a countenance too sanguinary and cruel." As executive clemency has withered in use, America has seen the criminal justice system's cruel countenance blossom in full -- prisons overflowing with petty offenders, families broken, innocent people released after decades thanks to DNA tests that remain difficult to obtain.

Pardoning William S. Porter would signal that you understand and value the true purpose of executive clemency powers in the justice system -- not just as a symbol but also a remedy for both actual innocence and "unfortunate guilt," one that provides a healing salve even for century-old wounds.
Please sign the petition and promote it via social media, email lists, word of mouth or any other means at your disposal. The URL is easy to remember: Pardonohenry.org. We'll be adding more content as we go along, but for now there's also a blog at the site that includes some original items not seen on Grits, including:
Though as the petition says, it doesn't really matter, Grits is now fairly satisfied that William S. Porter was actually a victim of a false conviction lo these 115 years ago. The writer was depressed following the death of his wife and barely participated in his own defense, though he always insisted on his innocence. But the late Texas Third Court of Appeals Justice Trueman O'Quinn, an avid fan and collector of all things O. Henry, also believed Porter innocent and spent years unsuccessfully seeking his posthumous pardon. (After that, it should be mentioned, the now-departed curator at the O. Henry Museum in Austin filed another application during the George W. Bush Administration.) In a chapter O'Quinn authored in a book about the writer, Time to Write, he recorded that the prosecutor in Porter's case, Duval West (who went on to be appointed a federal judge in the Western District of Texas by Woodrow Wilson), years later 'told a reporter that he believed Will Porter was the victim of the banking practices of the day and innocent of intentional misappropriation of funds.'"

Even 100 years ago prosecutors weren't keen on admitting mistakes, so from the perspective of a pardon request that's a big deal. Both Trueman O'Quinn and Duval West, two of the preeminent Texas barristers of their respective generations, more closely examined the evidence than Grits ever will and both concluded Porter was likely innocent. Combine that with fatal flaws in the indictment, which claimed the alleged offenses occurred months after he'd left the bank and moved to Houston to write a column for the Post, and to me, absolutely Will Porter deserves pardon based on innocence, if not also for his contribution to American letters during and after his incarceration.

Innocent or not, "Why do this?," I'm inevitably asked. This project serves numerous goals for Grits. First and foremost, it amuses me, which some days is all it takes. Second, it highlights a bipartisan consensus among politicos and the media that has diminished clemency in recent decades, a trend which, in this age of mass incarceration, to me is the opposite of what's needed. And third, it honors and celebrates a legendary Texan writer and publisher whose Austin weekly, The Rolling Stone (no, not that one, Porter beat 'em to it), was the direct heir to William Brann's Iconoclast, a Texas journalism legend and the state's first, no-holds barred muckraking publication (Porter launched his magazine by buying out Brann at a low point for $250). At its zenith, Porter's Rolling Stone supposedly had 1,000 subscribers at a time when Austin had 11,000 residents, even if it always seemed to teeter on the brink of bankruptcy.

But there's one other, more fundamental reason for launching this project at this particular point in time: Grits should announce that just this week papers were filed to create the "Grits for Breakfast Action Fund," a Texas nonprofit for which we intend to seek 501c(4) status. (That means soon, but not quite yet, Paypal donations won't deduct sales tax: Will notify folks when; many have asked.) My hope is that this entity will become a vehicle to influence policy and legislation here in Texas, and aim to build up web organizing infrastructure headed into the session toward that end. The Pardon O. Henry! campaign provides an opportunity to get some of these e-activism tools set up and take them out for a test run on a project with bit more of a leisurely pace than anything that occurs at the Texas Legislature.

To summarize, this project was designed to be fun, to address a serious subject in (one hopes) a creative way, and to pay homage to my own roots as a Texan writer. But it also aims to lay the groundwork for future web activism promoting a wider array of criminal justice reforms. So go sign the petition, poke around the site, tell your friends, and help promote a national discussion on the decline of clemency and the resulting redaction of mercy from the American criminal justice system. And for heaven's sake smile while you're doing it, as though you've just savored one those classic, O. Henry twist endings.

MORE: See a press release announcing the petition drive.

Thursday, February 02, 2012

'Sending a message' on graffiti: Two approaches

Regular readers know Grits thinks "sending a message" though criminal penalties is one of the worst communication methods imaginable. Almost no one actually reads the laws, the media never reports on most of them, and when they do they get things wrong 1/3 to 1/2 the time. Besides, few criminals read the newspaper. If you want to "send a message," in general buying billboard space or TV time is a far superior method to any criminal-law one might pass, and that goes triple for crimes with very low clearance rates. Which brings us to two recent stories about "sending a message" regarding graffiti. The first arises out of Corpus Christi, where local officials have been obsessed with graffiti enforcement now for several years now, to little practical effect judging from continued public outcries and media hype over the problem. A story from KVII-TV this week made the "send a message" goal explicit:
As the war on graffiti vandalism rages, a word of warning from the people who's job it is prosecute taggers.  They say you will be caught, arrested and more than likely will go to prison.  It's the type of vandalism that's more than just a costly nuisance.  It's a crime.  Prosecutors want to send out a message to all "taggers" reminding them that this crime will get you prison time.

"You have to be held accountable for what you do...and that's why you're going to be doing time behind bars," says prosecutor Joe Mike Pena.
The problem with that message is that much of it is a bold-faced lie, particularly the contention that "you will be caught, arrested and more than likely will go to prison." At least for 99.9% of graffiti crimes (less than one tagger is arrested per 1,000 offenses), the overwhelming majority of offenses go unsolved and are not prosecuted.

How likely is it that taggers will go to prison? According to the Criminal Justice Impact Statement for a recent graffiti enhancement bill (discussed in this Grits post): "In fiscal year 2010, 212 offenders were placed on misdemeanor community supervision, 56 offenders were placed on felony community supervision, and 21 offenders were admitted to prison or state jail." So that's 289 people total convicted and sentenced for graffiti crimes in FY 2010 statewide, most of them juveniles. By contrast, there were hundreds of thousands of tags thrown up in Texas in 2010. The chances of getting caught and convicted are, in fact, minuscule. And even for those convicted, most of them (rightly) received misdemeanor probation, with just 7% going to prison. (mostly those who tagged a church, school, or community center, which now carries an automatic state jail felony charge).

Two recurring Grits themes are that heightened criminal penalties can't solve every social problem and that penalty enhancements have little effect on crimes with low clearance rates. Both observations apply in spades to graffiti crimes. The "message" sent by jacking up punishments for the handful of people caught is not only rarely delivered, it's in some ways a counterproductive one, serving to glamorize the activity for rebellious youth without actually solving the problem.

Meanwhile, a different and far more effectively delivered message about graffiti is being trumpeted in Dallas, where graffiti artist Shepard Fairey (the man who did the Obama Hope posters and was featured in Banksy's Exit Through the Gift Shop) has been hired to paint a dozen large, outdoor murals. Reports the Morning News (behind paywall):
Fairey and his team fly in on Sunday and begin scouting 12 to 15 locations on Monday before pulling out the paintbrushes on Tuesday. The end result will be at least a dozen giant murals (with one stretching 150 feet wide) in such communities as West Dallas, Oak Cliff and Deep Ellum. Highland Park is not on the list.
Dallas Contemporary, which revels in the edginess of Fairey’s art, commissioned the project. Its director, Peter Doroshenko, loves Fairey’s ability to provoke reaction, no matter where his eerily bold images leave their imprint.

Aside from two events feting Fairey, none of his art will be shown at the Design District museum, even as it foots the bill for the outdoor murals.

“We’re doing this project to go beyond our walls, our building,” says Doroshenko, who came to Dallas Contemporary 14 months ago and worked with Fairey on a project in the United Kingdom in 2006.

Doroshenko cites Fairey as one of several artists he hopes to bring to Dallas “who work in nontraditional or outdoor kinds of ways, so that you don’t have to travel to Toulouse or Tunisia to see their work. It’s here, in the city, where it will reach millions of people as they drive by on the freeway or on their way to work.” Fairey loves having an outdoor canvas, Doroshenko says, rather than having to confine his work to a museum. Fairey, like Doroshenko, revels in the notion of “adding art to a person’s everyday repertoire.”

Doroshenko calls the project “giving back to the community and on a grand scale.” He says he picked Fairey not just because he knows him but also because “all the street artists that work in Dallas or Texas are influenced by him.” Even city officials and private landlords have come to appreciate what Doroshenko calls Fairey’s “art intervention” in their communities.
This turn of events reminds me of a Grits headline from 2010: "Yesterday's graffiti is today's art and tomorrow's economic growth." Fairey's illegal tagging hobby has transformed him into an internationally known artist whose talents are so well recognized that he's now being paid (in Texas, no less) to do projects for which he previously would have been prosecuted.

So in Corpus Christi, prosecutors hope to "send a message" by prosecuting the one out of a thousand or so offenses where taggers are caught, while in Dallas they're sending a message with 150' wide murals that graffiti can be real art and that some graff writers must be viewed as true artists, worthy of the admiration of their peers.

Which "message" do you suppose will influence taggers more?

See related Grits posts:

Friday, December 09, 2011

Eat the turkey, pardon O Henry! President quotes Texas writer but won't pardon him

UPDATE: See the Pardonohenry.org website and campaign blog which were inspired by this post. Sign a petition asking President Obama to pardon this great American writer.
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Oh cruel, bitter irony!

After legendary Austin short-story writer O Henry's pardon was turned down some years back, and given President Obama's own stingy record regarding pardons, it's especially annoying to learn, via PS Ruckman at Pardon Power, that President Obama's speech writers had the gall (or perhaps the philistinism) to include a quote from O Henry in the President's remarks "pardoning" a Thanksgiving turkey.

O Henry, whose pardon application has been on Ruckman's clemency watch list for ages, always claimed he was innocent, but when accused of embezzling $748 from the Austin bank he worked for, he fled to Honduras, returning to face federal charges in 1898 after his wife became terminally ill. In a practice that wouldn't be allowed in today's TDCJ, he "began writing stories to support his young daughter while he was in prison," moving to New York to continue his career after his release.

According to the Houston Chronicle's coverage in 1985, O Henry's (i.e, William Sydney Porter's) federal pardon application, championed by supporters including late-Texas state appellate court Judge Trueman O'Quinn, was turned down at that time because "A pardon isn't complete until it's accepted by the person, and a dead man can't accept it." In other words, Reagan's pardon office refused to issue a posthumous pardon.

As luck would have it, though, last year a Texas Attorney General's opinion cleared the way for the Texas Governor to issue posthumous pardons so that he could give one to Timothy Cole, who was falsely convicted of rape but wasn't exonerated until years after he died in prison. The Texas opinion took head on the question of whether the US President may issue pardons when the recipient is dead and cannot "accept" it: "the United States Supreme Court has since recognized that 'the requirement of consent [to a pardon] was a legal fiction at best' and has generally abandoned the acceptance doctrine since adopting it in 1833. Schick v. Reed, 419 U.S. 256, 261 (1974)." So according to the formal legal advice given to Rick Perry, the President has full authority to issue posthumous pardons and the "acceptance" requirement is a "legal fiction."

Grits has argued previously that Governor Perry would be wise to use his gubernatorial pardon power more generously than usual this Christmas season, both to distinguish himself from his GOP rivals - none of whom presently possess comparable clemency authority - and to highlight President Obama's abysmal clemency record, which even the President's liberal supporters deplore. (Perry's isn't great, but it's better than Obama's, granting clemency in 2003 alone more often than has Obama during his entire tenure.) IMO that'd be good campaign strategy for an incumbent governor looking to burnish his positive image in the holiday season, using the authority of his office to seize press attention for a news cycle or two and to elevate himself above his rivals.

Why not issue a coupla dozen or so gubernatorial pardons as a news hook, then attack Obama for his Scrooge-like clemency practices and for quoting a Texan during his trivializing turkey-pardon who merits a posthumous pardon himself. It would cost him nothing, it's an homage to a revered and influential Texan, and it rebukes Barack Obama after the President used the words of the Texas writer whose pardon was snubbed to commemorate the disingenuous ritual of pardoning a turkey.

Grits says eat the turkey, pardon O Henry!

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Friday, February 25, 2011

You're nobody as a writer till you've been banned from TDCJ

"What do Jon Stewart, William Shakespeare, Sojouner Truth, Juan Williams, Jenna Bush, 50 Cent, John Grisham, Noam Chomsky, Stephen King, John Updike, Kurt Vonnegut, Jack Kerouac, Gore Vidal, George Orwell, Gustave Flaubert, George Carlin, and Sister Helen Prejean have in common?," asks the Texas Civil Rights Project? "They have each written at least one book banned in Texas prisons."

The Texas Tribune reported yesterday that, TCRP "released a report ... on the list of 11,850 books banned by the Texas Department of Criminal Justice — everything from a collection of DaVinci's sketchbooks to the works of Salman Rushdie. Even some winners of the Pulitzer Prize, the National Book Award and the O. Henry Award aren't allowed." Further,
Censorship rates have increased in the last five years though the number of inmates has leveled off, said Scott Medlock, director of the organization's Prisoners' Rights Program. And while inmates can appeal a ruling by requesting a review from a TDCJ committee, Medlock said 87 percent of appeals are denied.

"If the low-level mail employees make the wrong decision, that's one thing," Medlock said. "But if you have [virtually] no opportunity to appeal, that's even more disturbing."
Congrats to TCRP on performing the tedious legwork to document this ongoing phenomenon.

Wednesday, February 23, 2011

'Logged and Ordered': TV court dramas and public perceptions of the justice system

If you've ever wondered why the public has a skewed view of the criminal justice system and a flawed perception that criminals have "too many rights," look no further than the portrayal of the court system in the popular media. The reality is modern criminal courts have devolved into little more than plea mills, but presentations of the process in the popular media pretend that Atticus-Finch style courtroom drama is the norm instead of the rare exception. From the perspective of dramatic presentation, I understand completely. But an unintended consequence of over-reliance on that dramatic trope is to misinform the public on how the system really works.

This outstanding post from Overthinking It catalogs outcomes of cases for the first ten years of the famous Law & Order TV series, giving us this awesome chart:


So in its first ten years, the proportion of plea bargains as a percentage of L&O cases maxed out at 58.3% in the 10th year, up from a minuscule 9.1% in the show's inaugural season. By contrast, in Texas felony district courts, "Less than two percent of all criminal cases (excluding transfers and motions to revoke probation) went to trial in 2010," according to the Office of Court Administration's 2010 Annual Report on the Judiciary (pdf, p. 38-39), and "97.8 percent of convictions resulted from a guilty or nolo contendre plea."

Of course, Law & Order is overtly fictional, though we're frequently told their stories are "ripped from the headlines." Still, to the extent the public derives their understanding of the criminal justice system from such shows, clearly they're getting an especially rosy and unrealistic view.